BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Lied Festival | Victoria de los Ángeles - ECPv6.18.0//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Lied Festival | Victoria de los Ángeles X-ORIGINAL-URL:https://www.lifevictoria.com/en/ X-WR-CALDESC:Events for Lied Festival | Victoria de los Ángeles REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20250101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20261010T193000 DTEND;TZID=UTC:20261010T213000 DTSTAMP:20261010T134005Z CREATED:20260714T185312Z LAST-MODIFIED:20261010T134005Z UID:27938-1791660600-1791667800@www.lifevictoria.com SUMMARY:Núria Rial & Carles Blanch & Oleguer Aymamí DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/nuria-rial-carles-blanch-oleguer-aymami/ LOCATION:Museo Nacional Thyssen Bornemisza\, Madrid ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Nuria-Rial.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261023T190000 DTEND;TZID=UTC:20261023T210000 DTSTAMP:20260801T164517Z CREATED:20260714T185656Z LAST-MODIFIED:20260801T164517Z UID:27940-1792782000-1792789200@www.lifevictoria.com SUMMARY:Daniel Bertomeu DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/daniel-bertomeu/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Bartomeu.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261023T200000 DTEND;TZID=UTC:20261023T220000 DTSTAMP:20260907T172245Z CREATED:20260714T185927Z LAST-MODIFIED:20260907T172245Z UID:27942-1792785600-1792792800@www.lifevictoria.com SUMMARY:Ferran Bardolet & Mercedes Gancedo & Pedro Pardo DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/ferran-bardolet-mercedes-gancedo-pedro-pardo/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/07/Ferran-Bardolet-c-Sergi-Panizo-quad-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261102T200000 DTEND;TZID=UTC:20261102T220000 DTSTAMP:20261007T191848Z CREATED:20260612T183246Z LAST-MODIFIED:20261007T191848Z UID:27277-1793649600-1793656800@www.lifevictoria.com SUMMARY:Véronique Gens & Joseph Middleton DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/veronique-gens-joseph-middleton/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/06/VeroniqueGens2-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261106T200000 DTEND;TZID=UTC:20261106T220000 DTSTAMP:20260930T171707Z CREATED:20260714T190453Z LAST-MODIFIED:20260930T171707Z UID:27944-1793995200-1794002400@www.lifevictoria.com SUMMARY:Montserrat Seró & Joan Seguí & Cor Victoria de los Ángeles & Pedro Pardo DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/montserrat-sero-joan-segui-cor-victoria-de-los-angeles-pedro-pardo/ LOCATION:Church of Sant Felip Neri\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/03/sero_slider.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261107T200000 DTEND;TZID=UTC:20261107T220000 DTSTAMP:20260930T171716Z CREATED:20260714T190721Z LAST-MODIFIED:20260930T171716Z UID:27946-1794081600-1794088800@www.lifevictoria.com SUMMARY:Montserrat Seró & Joan Seguí & Choir Victoria de los Ángeles & Pedro Pardo DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/montserrat-sero-joan-segui-choir-victoria-de-los-angeles-pedro-pardo/ LOCATION:Monastery of Sant Cugat del Vallès\, Sant Cugat ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/03/sero_slider.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261116T200000 DTEND;TZID=UTC:20261116T220000 DTSTAMP:20260930T171725Z CREATED:20260714T191140Z LAST-MODIFIED:20260930T171725Z UID:27948-1794859200-1794866400@www.lifevictoria.com SUMMARY:Jeff Cohen & Cameron Shahbazi DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/jeff-cohen-cameron-shahbazi/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Jeff_Cohen.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261214T200000 DTEND;TZID=UTC:20261214T220000 DTSTAMP:20260930T171735Z CREATED:20260714T191303Z LAST-MODIFIED:20260930T171735Z UID:27950-1797278400-1797285600@www.lifevictoria.com SUMMARY:More than Lied DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/more-than-lied/ LOCATION:Church of Saint Anne\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2023/11/lied23-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261219T193000 DTEND;TZID=UTC:20261219T213000 DTSTAMP:20260930T171742Z CREATED:20260714T191611Z LAST-MODIFIED:20260930T171742Z UID:27953-1797708600-1797715800@www.lifevictoria.com SUMMARY:Iñaki Encina Oyón & Adriana González DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/inaki-encina-oyon-adriana-gonzalez/ LOCATION:Museo Nacional Thyssen Bornemisza\, Madrid ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/INAKI-ENCINA-OYON.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270120T200000 DTEND;TZID=UTC:20270120T220000 DTSTAMP:20260930T171751Z CREATED:20260714T191835Z LAST-MODIFIED:20260930T171751Z UID:27955-1800475200-1800482400@www.lifevictoria.com SUMMARY:Adriana González & Emma Stratton & OSVA & Pedro Pardo DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/adriana-gonzalez-emma-stratton-osva-pedro-pardo/ LOCATION:Sala 2 Oriol Martorell – L’Auditori\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/AdrianaGonzalez.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270202T190000 DTEND;TZID=UTC:20270202T200000 DTSTAMP:20260930T171807Z CREATED:20260714T192342Z LAST-MODIFIED:20260930T171807Z UID:27960-1801594800-1801598400@www.lifevictoria.com SUMMARY:Ellen Mawhinney & Daniel Silcock DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/ellen-mawhinney-daniel-silcock/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Ellen-Copy-scaled-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270202T200000 DTEND;TZID=UTC:20270202T220000 DTSTAMP:20261007T192721Z CREATED:20260714T192055Z LAST-MODIFIED:20261007T192721Z UID:27957-1801598400-1801605600@www.lifevictoria.com SUMMARY:Helen Charlston & Sholto Kynoch DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/helen-charlston-sholto-kynoch/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/01/Helen.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270217T200000 DTEND;TZID=UTC:20270217T220000 DTSTAMP:20260930T171816Z CREATED:20260714T192748Z LAST-MODIFIED:20260930T171816Z UID:27962-1802894400-1802901600@www.lifevictoria.com SUMMARY:Rubén Fernández Aguirre & Vanessa Goicoetxea DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/ruben-fernandez-aguirre-vanessa-goicoetxea/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2025/07/Ruben-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270302T193000 DTEND;TZID=UTC:20270302T210000 DTSTAMP:20260930T171825Z CREATED:20260826T092240Z LAST-MODIFIED:20260930T171825Z UID:28924-1804015800-1804021200@www.lifevictoria.com SUMMARY:Victoria Guerrero & Mireia Tarragó DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/victoria-guerrero-mireia-tarrago/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Victoria_Guerrero.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270302T210000 DTEND;TZID=UTC:20270302T230000 DTSTAMP:20260930T171833Z CREATED:20260826T092657Z LAST-MODIFIED:20260930T171833Z UID:28928-1804021200-1804028400@www.lifevictoria.com SUMMARY:Francisco Poyato & Èlia Genís & Magdalena Garzón & Carles Pedragosa DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/francisco-poyato-elia-genis-magdalena-garzon-carles-pedragosa/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/EliaGenis.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270416T200000 DTEND;TZID=UTC:20270416T220000 DTSTAMP:20260930T171206Z CREATED:20260826T092906Z LAST-MODIFIED:20260930T171206Z UID:28930-1807905600-1807912800@www.lifevictoria.com SUMMARY:Ingela Brimbgerg & Julius Drake & António Areal DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/ingela-brimbgerg-julius-drake-antonio-areal/ LOCATION:Museo Nacional Thyssen Bornemisza\, Madrid ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Brimberg.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270424T190000 DTEND;TZID=UTC:20270424T200000 DTSTAMP:20260930T171850Z CREATED:20260826T091950Z LAST-MODIFIED:20260930T171850Z UID:28922-1808593200-1808596800@www.lifevictoria.com SUMMARY:Kunal Lahiry DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/kunal-lahiry/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Kunal-LAhiry.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270424T200000 DTEND;TZID=UTC:20270424T220000 DTSTAMP:20260930T171859Z CREATED:20260826T094044Z LAST-MODIFIED:20260930T171859Z UID:28932-1808596800-1808604000@www.lifevictoria.com SUMMARY:Dylan Pérez & Nicky Spence DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/dylan-perez-nicky-spence/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/07/Dyaln-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270429T200000 DTEND;TZID=UTC:20270429T220000 DTSTAMP:20260930T171907Z CREATED:20260826T094404Z LAST-MODIFIED:20260930T171907Z UID:28934-1809028800-1809036000@www.lifevictoria.com SUMMARY:Iñaki Encina Oyón & Adriana González DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/inaki-encina-oyon-adriana-gonzalez-2/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/INAKI-ENCINA-OYON.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270507T190000 DTEND;TZID=UTC:20270507T200000 DTSTAMP:20260930T172026Z CREATED:20260826T100505Z LAST-MODIFIED:20260930T172026Z UID:28938-1809716400-1809720000@www.lifevictoria.com SUMMARY:Pablo Carballar & Mireia Pladevall DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/pablo-carballar-mireia-pladevall/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/08/1-5-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270507T200000 DTEND;TZID=UTC:20270507T220000 DTSTAMP:20260930T171949Z CREATED:20260826T100647Z LAST-MODIFIED:20260930T171949Z UID:28940-1809720000-1809727200@www.lifevictoria.com SUMMARY:Javier Arrebola & Nancy Fabiola Herrera DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/javier-arrebola-nancy-fabiola-herrera/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/JavierArrebola-Headshot1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270518T200000 DTEND;TZID=UTC:20270518T220000 DTSTAMP:20260930T171958Z CREATED:20260826T100906Z LAST-MODIFIED:20260930T171958Z UID:28942-1810670400-1810677600@www.lifevictoria.com SUMMARY:Elisabet Strid & John Sunderland DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/elisabet-strid-john-sunderland/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/elisabet_strid_600x600.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270520T190000 DTEND;TZID=UTC:20270520T210000 DTSTAMP:20260930T172006Z CREATED:20260612T185605Z LAST-MODIFIED:20260930T172006Z UID:27314-1810839600-1810846800@www.lifevictoria.com SUMMARY:Sabine Devieilhe & Mathieu Pordoy DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/sabine-devieilhe-mathieu-pordoy/ LOCATION:Sala 2 Oriol Martorell – L’Auditori\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/06/Sabine-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20270619T200000 DTEND;TZID=UTC:20270619T220000 DTSTAMP:20260930T172014Z CREATED:20260826T095920Z LAST-MODIFIED:20260930T172014Z UID:28936-1813435200-1813442400@www.lifevictoria.com SUMMARY:Elena Gadel & OSVA & Pedro Pardo DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/elena-gadel-osva-pedro-pardo/ LOCATION:L’Illa Auditorium – Victoria de los Ángeles Hall\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Gadel.png END:VEVENT END:VCALENDAR