BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Lied Festival | Victoria de los Ángeles - ECPv6.18.0//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Lied Festival | Victoria de los Ángeles X-ORIGINAL-URL:https://www.lifevictoria.com/en/ X-WR-CALDESC:Events for Lied Festival | Victoria de los Ángeles REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20240101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20261010T193000 DTEND;TZID=UTC:20261010T213000 DTSTAMP:20261010T134005Z CREATED:20260714T185312Z LAST-MODIFIED:20261010T134005Z UID:27938-1791660600-1791667800@www.lifevictoria.com SUMMARY:Núria Rial & Carles Blanch & Oleguer Aymamí DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/nuria-rial-carles-blanch-oleguer-aymami/ LOCATION:Museo Nacional Thyssen Bornemisza\, Madrid ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2026/07/Nuria-Rial.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261005T193000 DTEND;TZID=UTC:20261005T213000 DTSTAMP:20260801T164307Z CREATED:20260611T182233Z LAST-MODIFIED:20260801T164307Z UID:27234-1791228600-1791235800@www.lifevictoria.com SUMMARY:Mar Compte & Helena Ressurreição DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/mar-compte-helena-ressurreicao-2/ LOCATION:Palau de la Música Catalana\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/RessurreicaoCompte_Recital5-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261001T200000 DTEND;TZID=UTC:20261001T200000 DTSTAMP:20260930T165907Z CREATED:20260714T164505Z LAST-MODIFIED:20260930T165907Z UID:27771-1790884800-1790884800@www.lifevictoria.com SUMMARY:Isabel Leonard & Malcolm Martineau DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/isabel-leonard-malcolm-martineau/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/07/Retrat-Isabel-Leonard.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260526T200000 DTEND;TZID=UTC:20260526T220000 DTSTAMP:20260522T201341Z CREATED:20260218T074712Z LAST-MODIFIED:20260522T201341Z UID:26198-1779825600-1779832800@www.lifevictoria.com SUMMARY:Simon Keenlyside & Malcolm Martineau DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/simon-keenlyside-malcolm-martineau/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/Keenlyside_recital22-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260526T190000 DTEND;TZID=UTC:20260526T200000 DTSTAMP:20260522T210223Z CREATED:20260218T074746Z LAST-MODIFIED:20260522T210223Z UID:26217-1779822000-1779825600@www.lifevictoria.com SUMMARY:Francesca Lauri & Ellen Pearson DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/francesca-lauri-ellen-pearson/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/09/FrancescaLauri-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260513T200000 DTEND;TZID=UTC:20260513T220000 DTSTAMP:20260511T181104Z CREATED:20260218T074814Z LAST-MODIFIED:20260511T181104Z UID:26233-1778702400-1778709600@www.lifevictoria.com SUMMARY:Susan Manoff & Julie Roset DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/susan-manoff-julie-roset/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/SusanManoff_recital20-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260419T193000 DTEND;TZID=UTC:20260419T210000 DTSTAMP:20260419T085809Z CREATED:20260218T074834Z LAST-MODIFIED:20260419T085809Z UID:26242-1776627000-1776632400@www.lifevictoria.com SUMMARY:Miah Persson & Magnus Svensson DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/mia-persson-magnus-svensson/ LOCATION:Museo Nacional Thyssen Bornemisza\, Madrid ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2026/03/Miah_Persson_3_©_Reka_Choy-e1773330566518.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260418T200000 DTEND;TZID=UTC:20260418T220000 DTSTAMP:20260414T160127Z CREATED:20260218T074850Z LAST-MODIFIED:20260414T160127Z UID:26249-1776542400-1776549600@www.lifevictoria.com SUMMARY:Michał Biel & Jakub Józef Orliński DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/michal-biel-jakub-jozef-orlinski/ LOCATION:L’Illa Auditorium – Victoria de los Ángeles Hall\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2025/10/Adobe-Express-file-9-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260325T200000 DTEND;TZID=UTC:20260325T220000 DTSTAMP:20260325T084844Z CREATED:20260218T074911Z LAST-MODIFIED:20260325T084844Z UID:26264-1774468800-1774476000@www.lifevictoria.com SUMMARY:Marta Puig & Montserrat Seró DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/marta-puig-montserrat-sero/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2024/10/puig_02-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260318T200000 DTEND;TZID=UTC:20260318T220000 DTSTAMP:20260316T173145Z CREATED:20260218T075529Z LAST-MODIFIED:20260316T173145Z UID:26284-1773864000-1773871200@www.lifevictoria.com SUMMARY:Alice Coote & Julius Drake DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/alice-coote-julius-drake/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/AliceCoote_Recital17-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260318T190000 DTEND;TZID=UTC:20260318T200000 DTSTAMP:20260316T175534Z CREATED:20260218T074732Z LAST-MODIFIED:20260316T175534Z UID:26207-1773860400-1773864000@www.lifevictoria.com SUMMARY:Alba Ventura DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/alba-ventura2/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/AlbaVentura_Recital13-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260317T200000 DTEND;TZID=UTC:20260317T220000 DTSTAMP:20260218T075338Z CREATED:20260218T075335Z LAST-MODIFIED:20260218T075338Z UID:26277-1773777600-1773784800@www.lifevictoria.com SUMMARY:Marc Heredia & Montserrat Seró DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/marc-heredia-montserrat-sero/ LOCATION:Principal Theatre of Palma\, Balearic Islands ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/Heredia.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260313T200000 DTEND;TZID=UTC:20260313T220000 DTSTAMP:20260313T073646Z CREATED:20260218T075258Z LAST-MODIFIED:20260313T073646Z UID:26272-1773432000-1773439200@www.lifevictoria.com SUMMARY:Christoph Prégardien & Pauliina Tukiainen DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/christoph-pregardien-pauliina-tukiainen/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/Peregardien_Recital14-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260313T190000 DTEND;TZID=UTC:20260313T200000 DTSTAMP:20260313T073525Z CREATED:20260312T182515Z LAST-MODIFIED:20260313T073525Z UID:26501-1773428400-1773432000@www.lifevictoria.com SUMMARY:Alba Ventura DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/alba-ventura-2/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/AlbaVentura_Recital16-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251219T190000 DTEND;TZID=UTC:20251219T210000 DTSTAMP:20260218T074736Z CREATED:20260218T074735Z LAST-MODIFIED:20260218T074736Z UID:26210-1766170800-1766178000@www.lifevictoria.com SUMMARY:Bernardo Rambeaud & Montserrat Seró DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/bernardo-rambeaud-montserrat-sero/ LOCATION:Güell Palace\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2025/07/Bernardo-3.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251217T190000 DTEND;TZID=UTC:20251217T210000 DTSTAMP:20260218T074742Z CREATED:20260218T074741Z LAST-MODIFIED:20260218T074742Z UID:26215-1765998000-1766005200@www.lifevictoria.com SUMMARY:Bernardo Rambeaud & Montserrat Seró DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/bernardo-rambeaud-montserrat-sero-2/ LOCATION:Güell Palace\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2025/07/Bernardo-3.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251212T193000 DTEND;TZID=UTC:20251212T213000 DTSTAMP:20260218T074756Z CREATED:20260218T074755Z LAST-MODIFIED:20260218T074756Z UID:26222-1765567800-1765575000@www.lifevictoria.com SUMMARY:Fleur Barron & Kunal Lahiry - Madrid DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/fleur-barron-kunal-lahiry-madrid/ LOCATION:Museo Nacional Thyssen Bornemisza\, Madrid ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/Barron_recital5-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251114T200000 DTEND;TZID=UTC:20251114T220000 DTSTAMP:20260218T074800Z CREATED:20260218T074800Z LAST-MODIFIED:20260218T074800Z UID:26225-1763150400-1763157600@www.lifevictoria.com SUMMARY:Joseph Breinl & Samuel Hasselhorn & Waltraud Meier DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/joseph-breinl-samuel-hasselhorn-waltraud-meier/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/Breinl_Joseph_recital8-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251021T193000 DTEND;TZID=UTC:20251021T213000 DTSTAMP:20260218T074856Z CREATED:20260218T074855Z LAST-MODIFIED:20260218T074856Z UID:26253-1761075000-1761082200@www.lifevictoria.com SUMMARY:Mar Compte & Helena Ressurreição DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/mar-compte-helena-ressurreicao/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/RessurreicaoCompte_Recital5.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251014T200000 DTEND;TZID=UTC:20251014T220000 DTSTAMP:20260218T074906Z CREATED:20260218T074905Z LAST-MODIFIED:20260218T074906Z UID:26261-1760472000-1760479200@www.lifevictoria.com SUMMARY:Ian Bostridge & Julius Drake DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/ian-bostridge-julius-drake/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/png:https://www.lifevictoria.com/wp-content/uploads/2025/07/Ian_Bobstridge_Recital4.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250930T200000 DTEND;TZID=UTC:20250930T220000 DTSTAMP:20260218T074805Z CREATED:20260218T074804Z LAST-MODIFIED:20260218T074805Z UID:26228-1759262400-1759269600@www.lifevictoria.com SUMMARY:Malcolm Martineau & Irene Mas Salom & Rita Morais DESCRIPTION:Elisabet Strid & John Sunderland \n \n \n \n Tuesday\, 18 May 2027- 20h \n \n \n \n \n \n \n \n \n \n \n \n \n Sala Domènech i Montaner – Sant Pau Recinte Modernista \n \n \n \n \n \n \n \n \n View on Google Maps\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisabet Strid\, soprano\n \n \n John Sunderland\, piano\n \n \n \n \n \n LIFE New Artists\n \n \n Paula L. Atanet\, piano\n \n \n Patricia Rijnhout\, soprano\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \nWesendonck: Wagner’s Exile\n \n \n \n \n Soprano Elisabet Strid and pianist John Sunderland present a recital centred on one of the most fascinating song cycles of the Romantic era: Richard Wagner’s Wesendonck Lieder. Composed to five poems by Mathilde Wesendonck\, the wife of one of Wagner’s patrons in Zurich\, these songs occupy a unique place in the composer’s output. Two of them\, Im Treibhaus and Träume\, were described by Wagner himself as “studies” for Tristan und Isolde\, the opera that would forever revolutionise the language of Western music. Wagner’s relationship with Mathilde\, marked by an intense emotional closeness\, coincided with a period of political exile. After taking part in the Dresden uprisings of 1849\, the composer was forced to leave Germany and settle in Switzerland. It was in this context of displacement\, far from his homeland and immersed in a complex personal situation\, that both the Wesendonck Lieder and the first ideas for Tristan took shape. Elisabet Strid\, who sings Brünnhilde in the Royal Opera House’s new Ring cycle in London\, makes her LIFE Victoria debut alongside pianist John Sunderland. \n \n \n \n \n \n \n \n \n\n \n \n \n \n I \n \n \n \n \nEdvard Grieg (1843–1907)\n\n \n \n \n \n \nVåren\n Solveigs sang\n Med en vandlilje\n En svane\n Fra Monte Pincio \n\n \n \n \n \n \nWilhelm Peterson-Berger (1867–1942)\n\n \n \n \n \n \n Vainos sånger\n \n \n \n \n \nWilhelm Stenhammar (1871–1927)\n\n \n \n \n \n \n Stjärnöga\n\n \n \n \n \n \nWilhelm Peterson-Berger\n\n \n \n \n \n \nAspåkerspolska\n\n \n \n \n \n \nCarl Leopold Sjöberg (1861–1900)\n\n \n \n \n \n \nTonerna\n\n \n \n \n \n \nHugo Alfvén (1872–1960)\n\n \n \n \n \n \n Så tag mit hjerte\n\n \n \n \n \n \nJean Sibelius (1865–1957)\n\n \n \n \n \n \n Flickan kom ifrån sin älsklings möte\n\n\n \n \n \n \n II \n \n \n \n \nRichard Wagner (1813–1883)\n\n \n \n \n \n \nWesendonck Lieder WWV 91\n\nDer Engel\n Stehe still!\n Im Treibhaus\n Schmerzen\n Träume\n‘Liebestod’ \nde Tristan und Isolde WWV 90\n \n \n \n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Buy tickets \n \n \n \n Programme \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Subscribe to our newsletter \n \n \n \n \n \n \n\n \n\n \n I have read and accept the terms and conditions\n \n \n\n \n Leave this field empty if you're human: \n \n \n \n \n \n \n \n \n Contact \n \n \n \n Fundación Victoria de los ÁngelesUniversitat de Barcelona i Edifici HistòricGran Via de les Corts Catalanes\, 58508007 Barcelona \n \n +34 937 422 168​ | info@victoriadelosangeles.org \n \n \n \n \n \n \n \n \n Facebook\n \n \n \n \n Twitter\n \n \n \n \n Youtube\n \n \n \n \n Instagram\n \n \n \n \n Spotify URL:https://www.lifevictoria.com/en/event/malcolm-martineau-irene-mas-salom-rita-morais/ LOCATION:Domènech i Montaner Hall – Sant Pau Art Nouveau Site\, Barcelona ATTACH;FMTTYPE=image/jpeg:https://www.lifevictoria.com/wp-content/uploads/2025/07/Malcom.jpg END:VEVENT END:VCALENDAR